Core Humanities

Macbeth PaperDecember 14, 1998People have a hard time getting what they want; in fact, the things they want can be incompatible with each other. The attempt to reach one of these goals can simultaneously hurt the other. In William Shakespeare’s Macbeth, the protagonist, Macbeth, is lured to murder the king, Duncan, by the desire for power, an appetite whetted by witch’s prophecies and his wife’s encouragement. But when he reaches the kingship, he finds himself insecure. He attempts to remove threats that decrease his security, including his companion Banquo and his son Fleance, who is prophesied to be king. His lords grow angry and revolt successfully, after witches lure Macbeth into a false sense of security by further foretelling. In Macbeth, we see that, despite appearances of paradox, man’s goals of comfort and power are forever opposed in increment, though the two may decline together.The power from knowledge causes discomfort. It has often been said ‘ignorance is bliss’. After Macbeth is promised the throne, Banquo asks why Macbeth is less than Valles 2ecstatic. “Good sir, why do you start, and seem to fear things that do sound so fair?” (Act I. Scene iii. Lines 51-53) Macbeth’s new knowledge makes him uncomfortable, as he realizes the implications. His first thoughts considering murdering Duncan appear, and he is scared. After he commits the murder, Macbeth says, “To know my deed, ’twere best not know myself” (Act II. Scene ii. Lines 76-77). Knowing that has committed such a vile act makes him uncomfortable. It will be difficult to act innocent and to deal with his guilt. When he later decides to murder Banquo and Fleance, he tells his wife, “Be innocent of the knowledge, dearest chuck, till thou applaud the deed” (Act III. Scene ii. Lines 46-47). Hecate sets Macbeth up for his final fall, explaining her strategy, “As by the strength of their illusionShall draw him on to his confusion.

He shall spurn fate, scorn death, and bear His hopes ‘bove wisdom, grace, and fear. And you all know security Is mortals’ chiefest enemy.” (Act III. Scene V. Lines 28-33)The security provided by the second set of predictions is only fleeting. Feeling there is no threat to his power, Macbeth acts wildly, bringing his downfall and loss of both Valles 3comfort and security. The problem with knowledge was that it was power resulting in a decline in comfort.Those most comfortable have the least power. The enjoyment of security precludes strength. The Porter delivers an ironic speech on the evils of drink, explaining, “Lechery, sir, it provokes and unprovokes: it provokes the desire, but it takes away the performance: therefore much drink may be said to be an equivocator with lechery: it makes him, and it mars him; it sets him on, and it takes him off; it persuades him and disheartens him; makes him stand to and not stand to; in conclusion, equivocates him in a sleep, and giving him the lie, leaves him.” (Act II. Scene iii. Lines 32-40) While drink may cause comfort, its other effects contradict this. It takes away the power, the performance. This recalls the guards, comfortably asleep but not standing guard, the latter their condemnation, as they are said to stand and kill the king and then stop standing to. After the murder, Duncan’s sons Malcolm and Donalbain decide to forgo the power of the kingship. Says Donalbain, “Where we are there’s daggers in men’s smiles; the near in blood, the nearer bloody” (Act II. Scene iii. Lines 146-149). He Valles 4realizes that his father was murdered because of the position he was in. It would be much safer to not be king, despite the loss in power, because the threats are too great. Power serves as both a blessing and a curse.Gaining power causes discomfort. When trying to gain power, hoping to increase their pleasure, people find themselves wracked with guilt and paranoia. Macbeth sees how lucky the dead and powerless Duncan really is when he comments “In restless ecstasy. Duncan is in his grave; After life’s fitful fever he sleeps well. Treason has done his worst; nor steel, nor poison, Malice domestic, foreign levy, nothing, Can touch him further.” (Act III. Scene

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